Come Kingdom Come is an experimental opera concerning millennialism and apocalyptic thought and theory; an exploratory comparison of this past turn of the millennium to it’s prior. The opera uses The Book of Revelations as a score and launching point, mixing the poetry of Ian Colbert with medieval chant, sung with the sublime voice of classically trained soprano, Gabriela Crowe under the direction of Maile Colbert. The work was then shaped and molded by Maile towards a tapestry of rapturous desire, a desperate and beautiful search of meaning, and a whirlwind ecstatic joy and fear.
Come Kingdom Come is available in a custom 6-panel sleeve, and a glass-mastered CD.
MAILE COLBERT BIOGRAPHY
Maile Colbert is an intermedia artist, educator, and researcher with a concentration on sound and video, relocated from Los Angeles and living in Lisbon, Portugal. She teaches at Faculdade de Belas Artes, Universidade Porto and Escola Superior de Teatro e Cinema Lisboa, and is a member of i2ADS Instituto de Investigação em Arte, Design e Sociedade da Faculdade de Belas Artes. She spent the last four years collaborating with the organization Binaural/Nodar, and is an ongoing contributor of articles on soundscape ecology and sound studies at “Sounding Out”, the award winning sound journal. She holds a BFA in Studio for Interrelated Media from Mass Art, and a MFA in Integrated Media/Film and Video from the Calarts, and has performed and screened widely in Japan, Europe, Australia, and the Americas.